"The Winner" Is A Whiny, Boring, Drippy Loser

Rob Corddry in the winner, it blows

Thanks to a boot-licking lead-in from The Family Guy and non-stop promos on Fox, I got suckered into watching last night's debut of The Winner on Fox.

I can't believe Rob Corddry is starring in a show this unfunny. I can't believe Seth MacFarlane executive produced a show this unfunny. I can't believe network execs greenlit a show this unfunny.

I don't get it. Corddry has a proven track record of hilarity on The Daily Show. All that savage wit and mock deadpan humor… Who decided it needed to be crushed into a lifeless ball and flushed down the toilet of mainstream network television?

The Winner, which is co-written by MacFarlane and fellow Family Guy writer Ricky Blitt, stars Corddry as Glen Abbott, a coddled man-child (excuse me, late bloomer) who at age 32 still lives with his parents, has never held down a job and has never had sex. If all that isn't cute enough, he's also obsessive-compulsive, a choice that smacks of network decision-making at its worst.

"Character" isn't something you create by glopping kooky mannerisms onto a blank canvas. Character comes from point-of-view, which determines how a person thinks, feels and responds. And (one of) the problem(s) with The Winner is that the main character -- the guy who's supposed to carry the show, the guy we're supposed to care about or at least be interested in -- is a whiny, boring, drip.

"Character" isn't something you create by glopping kooky mannerisms onto a blank canvas. Character comes from point-of-view, which determines how a person thinks, feels and responds. And (one of) the problem(s) with The Winner is that the main character -- the guy who's supposed to carry the show, the guy we're supposed to care about or at least be interested in -- is a whiny, boring, drip.

The ostensible hook is that the show begins with a shot from a mansion and Corddry's voiceover explaining that although he's now the richest guy in Buffalo, it wasn't always thus. Flashback to his parents' house a decade or so prior and we're knee-deep in forced quirkiness and mid-90s references (as though this is a decade that merits cultural references, but I guess that's what happens when you're done post-ironically strip-mining the 1980s). We're supposed to be intrigued enough to find out how Corddry morphs from sad-sack loser to The Winner, but I can't imagine TV viewers will care enough to stick around and find out.

PS-I was glad to see Amir Talai, who plays Abdul on Campus Ladies, in a small role as a video store clerk. But I was dismayed that he was playing a stereotypically limp-wristed gay character. Somebody brainier than me might want to comment on the demeaning caricatures non-white supporting characters in largely white sitcoms and movies are habitually cast in as a way to "neutralize" their threatening ethnic identities.

Comments (6) [rss]

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The biggest problem is Corddry apparently believes all the P.R. about his comic genius. Sure, he could be hilarious on The Daily Show, but as often as not he was just stupid. His "This Week in God" never hit the pace set previously by Steven Colbert. And his reports were predictably boring as often as they were originally funny. He could have used another year or so of experience before jumping ship to make it on his own. But he didn't, and as a result we get another crappy T.V. series.

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Yeah, The Winner was a little weak. However, it's not nearly as bad as the American version of The Office with the incredibly overrated Steve Carell.

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Sorry to break it to you and the previous commenters, but the show is actually funny. It's a mix of Arrested Development, 40-Year Old Virgin, and How I met Your Mother. You probably don't think any of those were funny either.

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Wow, I think I'm the only one who actually thought it was funny, I was laughing my ass off. Sorry, its probably people like me that keep shows you hate on.

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you people aren't getting it. The Winner isn't written be a laugh riot. For the guys who brought you Family Guy, this one is a big surprise, it's kinda sweet.

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Good thing there was a laughtrack. Otherwise I'd have no idea when the jokes were.

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